To conclude the night of entertainment, Schwartz initiated one final scene, astounding me with his witty humor for what felt like the thousandth time that evening. Their adaptability was once again remarkable, and the audience’s rapturous laughter proved that their bold approach was the right move. This small mishap ended up leading to an entirely new scene in which Schwartz went doorbell shopping, listening to a multitude of humorous jingles sung backstage by McKenna. Instead of panicking, the others quickly recovered by joking that the noise derived from a doorbell they had been dying to get fixed. The improvisers were able to create unforgettable moments out of unconventional events, bouncing back quickly from blunders that would likely throw off other performers.įor instance, in the middle of a scene about a boy introducing his girlfriend to his discourteous mother, Gaul shouted into a microphone onstage and nearly damaged it with a piercing sound. I was instantly impressed by their ability to build such a captivating narrative on the spot, and soon realized that amazement would be the theme of the night. The rest of the team jumped in quickly, developing a plotline in which her group of friends devised several hilarious plans to hold the money for themselves and return as a changed person. Without even a second to think, McKenna kicked off the first scene, playing a child who felt she could no longer relate to her friends because she had recently held one million dollars, immediately referencing the previously shared story. Once the short stories were completed, it was time for the show to officially begin. At Saturday’s performance, the selected participant’s charming anecdotes revolved around her memories with her mother, her favorite kind of spaghetti and the time she held a million dollars. The group would have a conversation with an audience member, then completely improvise characters and storylines around their discussion for about an hour, allowing for an entirely unique show every night. They took a moment to explain the logistics of the show. He proceeded to introduce his surprise guests: Jessica McKenna, Drew Tarver and Ryan Gaul. When Schwartz ran onstage a few minutes later, the energy increased exponentially, and the applause that followed seemed unending. Upon arrival, my experience at the theater was immediately one of comfort and security, as audience members were required to provide proof of their completed vaccination against COVID-19 or a negative test for the virus within 48 hours, in addition, to properly wearing a mask.Īfter these conditions were met, patrons were allowed entry and I was able to admire the vacant stage from my vicinal seat. Improv.” Ultimately, the production exceeded my expectations and provided an abundance of hope for the return of live comedy after a 16 month-long intermission. 4, my dream finally came true when I arrived at the Largo Theater in Los Angeles to view his new live show “Ben Schwartz. In May 2020, I started to watch hours of his best work ranging from “Parks and Recreation” to “Sonic the Hedgehog.” After learning more about his background in improvisational theater, I set my first post-vaccination goal: to watch him perform live. As a master of hyper fixation, I recently fell down a rabbit hole of actor and comedian Ben Schwartz’s filmography.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |